
There's some sense of joy in a one-night stand, and an echo of "Say Say Say" Michael Jackson, on the Luomo-ish house track "Rockin'." Contrition is shown in the slick retro-modern disco-funk of "A Lonely Night." Ironically enough, in the aching "True Colors," Tesfaye sounds a little insecure about a lover's past. He asks his lover if she'd feel guilty for not answering his call if he happened to die that night. It's followed with "Nothing Without You," a ballad of toxic dysfunction. In "Ordinary Life," he considers driving off a Mulholland Drive cliff, James Dean style, wishing he could swap everything for angel status. Lines like "I switch up my cup, I kill any pain" could have come from Tesfaye's mixtape debut, yet there are new levels of torment.
DAFT PUNK SONGS STARBOY PROFESSIONAL
While Starboy often reflects an increased opulence in the personal and professional aspects of Tesfaye's life - from more upscale pronouns to expensive collaborations with the likes of Daft Punk (two) and "Can't Feel My Face" producers Max Martin and Ali Payami (four) - the dark moments of vulnerability are pitch black. He sings of being a "Starboy" with access to a fleet of sports cars, but he's a "motherfuckin' starboy," one who is 26 years old and proud to observe his woman snort cocaine off his fancy table. It comes as no surprise that Tesfaye, on his third proper album, doesn't attempt to optimize the reach of his biggest hit by consciously targeting youngsters. He notes the absurdity in taking a "kids' show" award for "Can't Feel My Face," in which he was "talkin' 'bout a face numbin' off a bag of blow." The track actually lost to Adele's "Hello," but it clearly, somewhat comically, reached an unintended demographic. On this follow-up's fourth track, a blithe midtempo cut where Tesfaye takes a swipe at pretenders while boasting about drinking codeine out of one of his trophies, the level of success is a source of amusement.

The video has been described as The Weeknd's attempt to murder his former personality.The extent of the 2015 Weeknd commercial rebound, symbolized by platinum certifications for Beauty Behind the Madness and all four of its singles, didn't merely embolden Abel Tesfaye. In the music video, The Weeknd is shown trying to destroy evidence of his previous self, including his own awards from his past album, Beauty Behind the Madness. The music video for the song was directed by frequent collaborator Grant Singer, who directed The Weeknd's previous music videos for "Can't Feel My Face" and "The Hills". "Starboy" topped the charts in countries such as Canada, France, Netherlands, New Zealand and Sweden, as well as the US Billboard Hot 100, where it became The Weeknd's third chart-topper, and Daft Punk's first chart-topper. It is an R&B and electropop song with lyrics that contain themes of extravagance of a celebrity life.


It was released as the first single from the album on September 21, 2016, by XO and Republic Records. The artists co-wrote and co-produced the song alongside Doc McKinney and Henry "Cirkut" Walter, with Jason Quenneville providing additional writing. It features French electronic duo Daft Punk. "Starboy" is a song recorded by Canadian singer The Weeknd for his third studio album of the same name.
